Sample Programs

Thomas Millioto – 19th Century Guitar Program

Potpourri of Favorite Giuliani Selections … Mauro Giuliani (1781 – 1829)

Allegro in A minor, Opus unkown
Allegretto innocente (Theme from Opus 102) (Cavatina from Generali’s Opera “Baccanali Di Roma.”)
Allegro in E minor, Opus 48, No. 5
Adagio con Grand Espressione, from Opus 15 Sonata
Andantino in C, Opus 139, No. 1

Selections From “Choix de mes fleurs chéries ou Le Bouquet Emblématique,”
Opus 45 (pub. 1814) … Mauro Giuliani (1781 – 1829)

Le Jasmin (Jasmin), Andantino
La Rose (Rose), Andante Grazioso
Le Romarin (Rosemary), Andante con Espressione
Le Laurier (Laurel), (Maestoso)

Duettino Facile, Opus 77 (pub. aprox.1817) … Mauro Giuliani (1781 – 1829) with Lisa Brigantino, Mandolin

Andantino Maestoso
Minuetto Scherzoso & Trio
Rondo

Sei Ariette, Opus 95 (pub. 1818) … Mauro Giuliani (1781-1829)
(Poetry by Pietro Metastasio)
With Christine Moore, Soprano/Mary Bowen, Mezzo Soprano

1. Ombre amene
2. Fra tutte le pene
3. Quando sarà quel di
4. Le dimore
5. Ad altro laccio
6. Di due bell’anime

Rossiniane III, Opus 121 (pub. 1824) … Mauro Giuliani (1781 – 1829)

Performed on a Liuto Attiorbato

Sonata 8a …. Giovanni Zamboni (b. late 17th century, d. early 18th century) (published 1718)

Arpeggio Prelude
Allemande
Sarabande
Minuet
Gigue

Performed on a 19th Century Guitar

Rossiniane III, Opus 121 ….. Mauro Giuliani (1780 – 1829)

INTRODUZIONE Maestoso sostenuto
INTRODUZIONE, E DUETTO DELLA DONNA DEL LAGO
Andantino
Variation
Allegro vivace
QUINTETTO DEL TURCO IN ITALIA
Thema
Variation #1
Variation #2 – Piu lento
QUARTETTO DELL’ OPERA ZELMIRA
Allegro
Variation
MARCIA DELL’ OPERA RICCIARDO, E ZORAIDE
Maestoso
Variation I
Variation II

Performed on a Modern Classical Guitar

Astor Piazzolla ……………….……… (1921 – 1992)

Verano Porteño
Milonga del Angel
La Muerte del Angel

Drei Tentos ……….. Hans Werner Henze (1926 – )

Tento I,
„ Du schönes Bächleín”
(You beautiful little stream)

Tento II,
„ Es fíndet das Aug’ oft”
(Often the eye discovers)

Tento III,
„Sohn Laíos’”
(Son of Lios)

All selections on this program were performed by
Thomas Millioto on an original 19th Century guitar.

Sonata, Opus 15 ………… Mauro Giuliani (1780 – 1829)

Allegro spirito
Adagio
Finale

Le Fandango, Opus 16 …. Dionisio Aguado (1784-1849)

Adagio
Allegro vivace
Allegro

Rossiniane II, Opus 120 ………. Mauro Giuliani (1780 – 1829)

Introduzione – Sostenuto
Andantino sostenuto
Allegro innocente
Più mosso
Maestoso
Variazione
Moderato allegro
Allegretto
Più mosso

Variations on “O cara armonia” from
Mozart’s Magic Flute
, Opus 9 …. Fernando Sor (1778 – 1839)

Introduction Andante Largo
Theme Andante moderato
Variation 1
Variation 2 mineur
Variation 3
Variation 4 Più mosso
Variation 5 Più mosso
Coda

From “Castles of Spain” … Frederico Moreno Torroba (1891 – 1962)

Manzanares el Real
Sigüenza
Montemayor
Alcázar De Segovia

La Catedral ……… Agustín Barrios Mangoré (1885 – 1944)
Preludio
Andante Religioso
Allegro Solemne

En Los Trigales ……….…… Joaquin Rodrigo (1901 – 1999)
Sarabande …………………………….…. Poulenc, F. (1960)
Prelude #2 …………………………… Villa-Lobos, H. (1929)

Guitar Duets Guitarist Tomas Rodriguez

Milonga ………………………………………. Jorge Cardoso
Danza Paraguay ….. Barrios Mangoré, Agustín (1885 – 1944)

Performed on a Liuto Attiorbato (Archlute)

Oscar Chilesotti, Editor of a collection of Renaissance lute pieces.
(Titolo indecifrable) and “Nachtanz”
Vaghe bellezze et bionde treccie d’oro, Vedi che per te moro
Se io m’accorgo ben mio d’un altro amante
Bianco Fiore
Courante

Sonata 9a (1718) …………………… Giovani Zamboni
Preludio
Alemanda
Sarabanda
Gavotte
Giga

With Eva Rainforth, Soprano ….. Claudio Monteverdi (1567 – 1643)

Maledetto sia l’aspetto
Io che armato sin hor
Quel sguardo sdegnosetto

Elogio De La Danza ………….……..…. Leo Brouwer (1964)
I. Lento
II. Obstinato

From “Suite Espanola” Op.47 .…. Isaac Albéniz (aprox. 1895)

Granada
Cádiz

From “Sei Ariette,” Op. 95 ………….. Mauro Giuliani (1818)
With Jennifer Brody, Soprano
Ariette #1
Ariette #2
Ariette #3
Ariette #4
Ariette #6

Sonatas …….………..……. Dominico Scarlatti (1685 – 1757)

Sonata # L. 483 (K. 322)
Sonata # L 238 (K.208)
Sonata # L 83 (K.431) (Transcribed for Guitar by Thomas Millioto)

Lute Concerto in D, RV 93 …. Antonio Vivaldi (1678 – 1741)
With Vera Ilyushina, Violin
Mark Barsamian, Violin
Judy Huang, Harpsichord
Thomas Millioto, Archlute (Liuto Attiorbato)
I. Allegro giusto
II. Largo
III. Allegro

Selections …………………………. F. Tarrega, (late 1800’s)

Marieta Mazurca
Capriccio Arabo
Mazurca En Sol

Tres Apuntes (Three Sketches) ……… Leo Brouwer (1959)
I. From „Homenaje a Falla”
II. From a chamber music piece
III. On a Bulgarien Song

Ayres ………………………….. John Dowland (aprox. 1600)
With Jennifer Brody, Soprano

Come Again
Shall I Sue
In Darkness Let Me Dwell
Fine Knacks For Ladies

Etude.…..……….. Villa-Lobos, H. (1929)

Etude No. 7
Etude No. 5
Etude No. 11

25 Couplets from Les Folies d’Espagne ..… Maráis, Marin (1701)
(Guitar Arrangement By Thomas Millioto)
Vanessa Gunter DMA, Flute

Selections ………………..….…….. Piccinini, Alessandro (1623)
(Selection and Transcription for Guitar By Thomas Millioto)

Corrente Terza
Replica Variata Della Corrente Terza
Canzone Terza In Aria Di Corrente

Rumores de la Caleta …………………………… Isaac Albeniz
(The Murmuring of the Brook)

El Decamreon Negro …………………………… Leo Brouwer
I. La Harpe Du Guerrier
(The Hunter’s Harp)
II. La Fuite des Amants par laValee Des Echos
(The Flight of the Lovers Through theValley of the Echoes)
III. Ballade de la Demoiselle Amoureuse
(Ballad of the Young Maiden in Love)

Recuerdos De La Alhambra ……………….. Francisco Tarrega
(Memories of the Alhambra)

Lute Suite 4 In E Major, BWV 1006A …….… J.S. Bach

Präludium
Loure
Gavotte en Rondeau
Minuet I and II
Bourrée
Gigue

Selections …………. John Dowland

The Frog Galliard
A Fancy (Fantasia)